Wednesday, February 10, 2010

To Chrissie


Here's a perfect example of the significance of a photograph's context. This sweet little face belongs to a dog I met quite by accident during a recent visit to an Independent Living facility.

On one of my many trips through the lobby of the facility, I noticed these two lovely ladies, sitting and visiting with the staff. On a whim, I stopped to pet the little dog, Chrissie.

I listened to her owner and learned that the next morning, Chrissie was scheduled to be put to sleep. She was nearly blind and had suffered a spinal disease that had left her unable to have consistent control over her back legs.

Her owner was so distraught that she couldn't bear being in her apartment alone, so she had come to the lobby where there were people continually coming and going. It was a distraction from an extremely painful decision.

As always, my camera was close by. I offered to take pictures of Chrissie as a gift to capture the love the two of them had shared for so many years. With permission, I'm sharing these poignant images with you to illustrate the point that context gives each photograph additional meaning and importance.






To Chrissie: You are deeply missed.

Saturday, January 30, 2010

Magical World

Yesterday's ice storm in the South made for some incredible views for anyone who was brave enough to be outside in today's bitter cold. Fortunately, I still have cold weather gear from our years in Chicago, so I was good to go. Ice like this is simply magical.












Friday, January 15, 2010

These Days....

Holidays are over. The extreme cold spell in Memphis is over (thankfully). And I have begun, in earnest, a process of cleaning out closets and our attic so that less time will be wasted trying to "find stuff". A byproduct of this is the gathering together of photographs - whether old, middle-aged, or new - in one place. This is a first!

I continue to edit and restore photographs for others, but admittedly, have slowed that effort as I dig into digging out!

Earlier this week, I took time to photograph the cameras my grandma and my daddy used. Probably because I have been a fan of photography since I was 12 years old, Daddy gave me their cameras. He knew I would fully appreciate them and while continuing to capture my own images.



He loved Polaroids. Many of the photographs of me and my sisters were taken with the Polaroids and after so many years, the images have begun to deteriorate. I like some of the imperfections in those prints - it adds character.



This is probably the camera my sisters remember. And they probably don't remember Grandma's camera at all.



But I do. And I'll share both the images and the stories with them. It's all part of "The Art of Recollection".

Saturday, November 7, 2009

Curves

Curves - and no, I'm not talking about the Curves fitness centers... :-)


BEFORE

I'm not sure why. Maybe it's because we have become accustomed to high-definition images. Maybe it has something to do with digital cameras. Whatever it is, your images can be improved greatly simply by increasing contrast.

I became a fan of Ansel Adams work when I purchased my first SLR. His Zone System caused me to become aware of the vast range of tonal values visible and of the limitations of representing that range within a photograph. He was methodical both with the camera and in the darkroom to ensure he had a broad range of tones in each of his images.

Today, the kind of careful attention Ansel Adams gave to each of his images can be achieved by, first and most importantly, working diligently to capture the best image possible. There is too often the temptation to take a sub-par image and then crop and Photoshop it to death. Work to create a good image and then you can adjust it in Photoshop, much as Ansel Adams would have done in his darkroom.

For this mushroom (which was conveniently growing in our front yard), I adjusted it with one simple Photoshop tool: Curves. I created a Curves Adjustment Layer and brought the highlights up and the shadows down ever so slightly. The Curves adjustment in Photoshop allows you to ensure that your highlights are bright and your shadows are deep while not losing important detail. That's it. That's all I did. No secrets. No formulas. Try it for yourself.

AFTER
Read about Ansel Adams

Monday, November 2, 2009

As I See It

For the past week, I've been on somewhat of a quest - trying to find a way to capture Fall 2009.

Through the years, I have taken a lot of photographs of trees and their leaves. This year I hoped to find something just a little different.

I also did NOT want to capture images that in order to share, I would have to alter it in Photoshop first. So I went back to the basics. Back to the days of using a manual 35mm film SLR working diligently to get the exposure right, to get a proper saturation of color, an effective composition, and most of all, the feeling of the moment.

Here's the result:


The following photograph has NOT been altered by Photoshop except to rotate the image. This was a reflection in a pond....

Tuesday, October 27, 2009

The Best is Yet to Come

As soon as Liz told me she wanted pictures when the leaves changed for Fall, I began to imagine the shape of pumpkins and her tummy. I have known Ryan for a few years and it is such a blessing to have been part of his life, watching him mature into the husband (and soon-to-be-dad) that he is today. Liz is and has been from the beginning an answer to prayer. To see the two of them.....the almost three of them....all I can say is "wow"!

This little sign does truly sum up this stage of life:


To see more pictures, visit http://photosincontext.com and click "Recent Work"

Wednesday, October 21, 2009

Long Overdue

Sandy, Thank you so much for your patience with your pictures. I know you are a historical purist regarding photographs so I created a version that is just like the original only without the age spots (wow, don't I wish it were that easy to eliminate my personal "age spots"!). However, I couldn't resist the opportunity to actually enhance this image.

I wanted the baby to have greater separation from the background. I also wanted to bring attention to him rather than to the surrounding detail. To do so, I "painted" over existing shadows and detail and then slightly darkened and blurred the background. The final version is 5x7, double the original size.

To finish, I scanned the back of the postcard and layered his name and the date as the title. As the last touch, I added the frame which draws even more attention to the baby. Again, don't worry, there is a version for the purist....

Monday, October 19, 2009

First Roll of Film



This pretty little lady above is my niece, the pictures shot with my first SLR with my first roll of film. Years later, (shall we reveal how many years, Shelley?) my niece had some pictures shot of her daughter. Little Lizzie's blue eyes reminded me so much of her mom's that I pulled my picture out to compare. I had to tweak exposure of my original a bit due to darkening of the print that had occurred over time, but other than that, my print is as shot. Here's the fun part - look at their eyes......baby Shelley and her baby, Lizzie........

btw: Shelley, your friend, another Beth, did a fantastic job with Lizzie's pictures!


.

Tuesday, October 6, 2009

"Watch the Birdie"

I remember having my first grade picture taken. I wore a green plaid dress that was trimmed in rick rack and had a coordinating brown corduroy jumper. The dress had ties at the shoulders that kept the straps of my jumper from sliding down my arms. My Mama made it - she made all my clothes - and they were all creative and beautiful.

For my first grade picture, I remember being a little scared (deep down I'm a shy person - don't laugh - I really am) and as always, obedient (ok, really don't laugh!). The photographer simply said, "Watch the Birdie" so I did. Then it was over, and here I am, watching for the birdie.


I like to take a vintage picture (yep a picture of me is considered "vintage"....guess that makes me "vintage" too) and not only clean up the obvious flaws, but also brighten the eyes along with the overall image. Unfortunately, sometimes the color on my computer's screen doesn't match what shows up on blogger. The updated image really isn't washed out in print. It is just nicely brightened.

Friday, October 2, 2009

24 Years


In September, we celebrated our 24th wedding anniversary at The Dancing Bear, a wonderful lodge in Townsend, TN. Each night they built a fire in their outdoor fireplace and provided supplies for guests to make S'mores.

Although it rained much of the week, we had a fantastic time hiking in the Smoky Mountains.
We discovered that our jackets were "water resistant" rather than "water proof". We discovered how nice it is to have quick-dry clothing (remember "water-resistant"?). We saw bears. Yes, indeed, black bears in the wild. And when the day was over, we delighted in the atmosphere, the service, and the food at the Dancing Bear. (Thanks, Simon!)
















For more information about the lodge visit http://www.dancingbearlodge.com/


Hope all of you have a great weekend!!